I am a writer and image maker whose work explores the human condition, tracing our relationships with memory, time, ritual, and the rhythms of the natural world.

I produce press releases, exhibition and artist statements, and reviews and critique, alongside more experimental and exploratory writing work.

Substack:

Liliana | Substack

LinkedIn: www.linkedin.com/in/lilianamuñozflannery010

Email: [email protected]

Instagram: @li.lianaaaa_____

Previous Work

Review — ‘The Practice of Liberation’ at The Whitworth (2026)

<aside> Review of artist Michaela Yearwood-Dan’s show ‘The Practice of Liberation’ at the Whitworth for art critique platform Corridor8.

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Michaela Yearwood-Dan: The Practice of Liberation — Corridor8

An extract from my review

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‘Time, Softening’ — Backhaus, Berlin (2026)

<aside> Commissioned by Tokyo and Berlin-based writer, artist, and designer Lena Manger to produce text for her show ‘Time, Softening’ at Backhaus Berlin. The text was also featured in an accompanying publication expanding on the exploration of the work.

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‘In Carnations’ — Passage Berlin (2025)

<aside> Commissioned by Manchester-based studio Hardel to provide an exhibition statement for a collaborative exhibition of artists Ben Barbetta Thompson and Misha Todirascu, held at Passage art gallery, Berlin.

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New Wave Magazine (2024)

<aside> <img src="https://prod-files-secure.s3.us-west-2.amazonaws.com/41c6617e-88ef-40dd-a5ca-866d685eeba3/5aacfa5e-d82e-41ca-bb13-e874fd1cb1d2/Untitled_design_(2).png" alt="https://prod-files-secure.s3.us-west-2.amazonaws.com/41c6617e-88ef-40dd-a5ca-866d685eeba3/5aacfa5e-d82e-41ca-bb13-e874fd1cb1d2/Untitled_design_(2).png" width="40px" /> I provided an overview of artist Barbara Walker’s latest exhibition, ‘Being Here’ for New Wave Magazine.

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Barbara Walker, ‘Being Here’ at The Whitworth.

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The National Gallery — Friday Lates (2024)

<aside> <img src="https://prod-files-secure.s3.us-west-2.amazonaws.com/41c6617e-88ef-40dd-a5ca-866d685eeba3/5aacfa5e-d82e-41ca-bb13-e874fd1cb1d2/Untitled_design_(2).png" alt="https://prod-files-secure.s3.us-west-2.amazonaws.com/41c6617e-88ef-40dd-a5ca-866d685eeba3/5aacfa5e-d82e-41ca-bb13-e874fd1cb1d2/Untitled_design_(2).png" width="40px" /> I delivered a talk analysing John Constable’s ‘The Hay Wain’, alongside Christine Riding, Director of Collections and Research at the National Gallery, and three other alumni from the Articulation Prize as part of the National Gallery's 'Friday Lates' programme. This ran alongside their exhibition 'Discover Constable & The Hay Wain', exploring the work of the iconic English painter, his process, contemporaries, inspirations, and broader context as an artist. My section focused on the presence of movement and flux within the painting and its subject: physically, artistically, socially, and politically

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Boot Magazine (2024)